Packman Build Service PMBS

synfig.spec Changed

@@ -39,7 +39,7 @@
 BuildRequires:  intltool
 BuildRequires:  libjpeg-devel
 BuildRequires:  libmng-devel
-BuildRequires:  pkgconfig(ETL) > 1
+BuildRequires:  pkgconfig(ETL) = %version
 BuildRequires:  pkgconfig(ImageMagick)
 BuildRequires:  pkgconfig(Magick++)
 BuildRequires:  pkgconfig(OpenEXR)
@@ -79,15 +79,6 @@
 This package contains the pkgconfig, header files and libraries needed to
 develop application that use %pkg.
 
-%package        doc
-Summary:        Documentation for %pkg
-BuildArch:      noarch
-
-%description    doc
-Vector based 2D animation render.
-
-This package provides documentation and several examples for %pkg.
-
 %lang_package
 %endif
 #
@@ -106,21 +97,21 @@
 %if "%build_flavor" == "studio"
 %package -n     synfigstudio
 BuildRequires:  intltool
-BuildRequires:  %soname_core%sover_core
+BuildRequires:  %soname_core%sover_core = %version
 BuildRequires:  %pkg
 BuildRequires:  pkgconfig(ETL)
-BuildRequires:  pkgconfig(synfig)
+BuildRequires:  pkgconfig(synfig) = %version
 BuildRequires:  pkgconfig(gtkmm-3.0)
 BuildRequires:  pkgconfig(fontconfig)
 Summary:        GUI of %pkg
 Requires:       %pkg = %version
-Requires:       %soname_studio%sover_studio = %version
+Requires:       %soname_studio%sover_studio = %version-%release
 
 %description -n synfigstudio
 
 %package -n     synfigstudio-devel
 Summary:        Header files for the %soname_studio%sover_studio library
-Requires:       %soname_studio%sover_studio = %version
+Requires:       %soname_studio%sover_studio = %version-%release
 %description -n synfigstudio-devel
 
 %package -n     %soname_studio%sover_studio
@@ -202,9 +193,6 @@
 %_libdir/%soname_core.so
 %_libdir/pkgconfig/*.pc
 
-%files doc
-%license LICENSE
-
 %files lang -f %pkg.lang
 %endif
 #

_service Changed

@@ -140,86 +140,7 @@
 		<param name="exclude">synfig-core/src/tool/CMakeLists.txt</param>
 		<param name="exclude">synfig-core/src/tool/tool.nsh</param>
 		<param name="exclude">synfig-core/test/CMakeLists.txt</param>
-		<param name="exclude">synfig-docs/IndexToDo</param>
-		<param name="exclude">synfig-docs/Makefile</param>
-		<param name="exclude">synfig-docs/README</param>
-		<param name="exclude">synfig-docs/TODO</param>
-		<param name="exclude">synfig-docs/build-deps</param>
-		<param name="exclude">synfig-docs/ca/animation/conclusion.sgml</param>
-		<param name="exclude">synfig-docs/ca/animation/introduction.sgml</param>
-		<param name="exclude">synfig-docs/ca/animation/keyframe.sgml</param>
-		<param name="exclude">synfig-docs/ca/animation/movement.sgml</param>
-		<param name="exclude">synfig-docs/ca/animation/rendering.sgml</param>
-		<param name="exclude">synfig-docs/ca/animation/timeline.sgml</param>
-		<param name="exclude">synfig-docs/ca/animation/workspace.sgml</param>
-		<param name="exclude">synfig-docs/ca/appendix/apendices.sgml</param>
-		<param name="exclude">synfig-docs/ca/appendix/glossary.sgml</param>
-		<param name="exclude">synfig-docs/ca/appendix/keyboard.sgml</param>
-		<param name="exclude">synfig-docs/ca/installation/installation.sgml</param>
-		<param name="exclude">synfig-docs/ca/interface/history.sgml</param>
-		<param name="exclude">synfig-docs/ca/interface/interface.sgml</param>
-		<param name="exclude">synfig-docs/ca/interface/layers.sgml</param>
-		<param name="exclude">synfig-docs/ca/interface/navigator.sgml</param>
-		<param name="exclude">synfig-docs/ca/interface/params.sgml</param>
-		<param name="exclude">synfig-docs/ca/interface/toolbox.eps</param>
-		<param name="exclude">synfig-docs/ca/interface/toolbox.sgml</param>
-		<param name="exclude">synfig-docs/ca/interface/tooloptions.sgml</param>
-		<param name="exclude">synfig-docs/ca/introduction/introduction.sgml</param>
-		<param name="exclude">synfig-docs/ca/steps/done</param>
-		<param name="exclude">synfig-docs/ca/steps/firststeps.sgml</param>
-		<param name="exclude">synfig-docs/ca/steps/layers/combining.sgml</param>
-		<param name="exclude">synfig-docs/ca/steps/layers/done</param>
-		<param name="exclude">synfig-docs/ca/steps/layers/layers.sgml</param>
-		<param name="exclude">synfig-docs/ca/steps/layers/using.sgml</param>
-		<param name="exclude">synfig-docs/ca/steps/linking.sgml</param>
-		<param name="exclude">synfig-docs/ca/steps/shapes.sgml</param>
-		<param name="exclude">synfig-docs/ca/synfig-studio.sgml</param>
-		<param name="exclude">synfig-docs/ca/tips/bitmap.sgml</param>
-		<param name="exclude">synfig-docs/ca/tips/closebline.sgml</param>
-		<param name="exclude">synfig-docs/ca/tips/dock.sgml</param>
-		<param name="exclude">synfig-docs/ca/tips/filloutline.sgml</param>
-		<param name="exclude">synfig-docs/ca/tips/gradient_object.sgml</param>
-		<param name="exclude">synfig-docs/ca/tips/layer.sgml</param>
-		<param name="exclude">synfig-docs/en/animation/conclusion.sgml</param>
-		<param name="exclude">synfig-docs/en/animation/introduction.sgml</param>
-		<param name="exclude">synfig-docs/en/animation/keyframe.sgml</param>
-		<param name="exclude">synfig-docs/en/animation/movement.sgml</param>
-		<param name="exclude">synfig-docs/en/animation/rendering.sgml</param>
-		<param name="exclude">synfig-docs/en/animation/timeline.sgml</param>
-		<param name="exclude">synfig-docs/en/animation/workspace.sgml</param>
-		<param name="exclude">synfig-docs/en/appendix/apendices.sgml</param>
-		<param name="exclude">synfig-docs/en/appendix/glossary.sgml</param>
-		<param name="exclude">synfig-docs/en/appendix/keyboard.sgml</param>
-		<param name="exclude">synfig-docs/en/installation/installation.sgml</param>
-		<param name="exclude">synfig-docs/en/interface/history.sgml</param>
-		<param name="exclude">synfig-docs/en/interface/interface.sgml</param>
-		<param name="exclude">synfig-docs/en/interface/layers.sgml</param>
-		<param name="exclude">synfig-docs/en/interface/navigator.sgml</param>
-		<param name="exclude">synfig-docs/en/interface/params.sgml</param>
-		<param name="exclude">synfig-docs/en/interface/toolbox.eps</param>
-		<param name="exclude">synfig-docs/en/interface/toolbox.sgml</param>
-		<param name="exclude">synfig-docs/en/interface/tooloptions.sgml</param>
-		<param name="exclude">synfig-docs/en/introduction/introduction.sgml</param>
-		<param name="exclude">synfig-docs/en/steps/done</param>
-		<param name="exclude">synfig-docs/en/steps/firststeps.sgml</param>
-		<param name="exclude">synfig-docs/en/steps/layers/combining.sgml</param>
-		<param name="exclude">synfig-docs/en/steps/layers/done</param>
-		<param name="exclude">synfig-docs/en/steps/layers/layers.sgml</param>
-		<param name="exclude">synfig-docs/en/steps/layers/using.sgml</param>
-		<param name="exclude">synfig-docs/en/steps/linking.sgml</param>
-		<param name="exclude">synfig-docs/en/steps/shapes.sgml</param>
-		<param name="exclude">synfig-docs/en/synfig-studio.sgml</param>
-		<param name="exclude">synfig-docs/en/tips/bitmap.sgml</param>
-		<param name="exclude">synfig-docs/en/tips/closebline.sgml</param>
-		<param name="exclude">synfig-docs/en/tips/dock.sgml</param>
-		<param name="exclude">synfig-docs/en/tips/filloutline.sgml</param>
-		<param name="exclude">synfig-docs/en/tips/gradient_object.sgml</param>
-		<param name="exclude">synfig-docs/en/tips/layer.sgml</param>
-		<param name="exclude">synfig-docs/others/Authors</param>
-		<param name="exclude">synfig-docs/others/hola.txt</param>
-		<param name="exclude">synfig-docs/png/toolbox.png</param>
-		<param name="exclude">synfig-docs/scripts/build.sh</param>
-		<param name="exclude">synfig-docs/scripts/clean.sh</param>
+		<param name="exclude">synfig-docs</param>
 		<param name="exclude">synfig-osx</param>
 		<param name="exclude">synfig-studio/AUTHORS</param>
 		<param name="exclude">synfig-studio/CMakeLists.txt</param>

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs Deleted

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/IndexToDo Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/Makefile Added

@@ -0,0 +1,165 @@
+#Author: Jaime Irving Davila
+#Date: 23/09/2001
+#Modified on 15/04/2002
+#Given to the public domain
+
+#Variables useful for the customization of the makefile
+
+#Name of the document (without the sgml extension)
+
+DOC = synfig-studio
+
+#Name of the file used for the index (without the sgml extension)
+INDEX = index
+
+#Name of the compiler of the sgml, could be jade, openjade, ..
+COMPILER = openjade
+
+#Location of the stylesheet for the html output
+
+DBSTYLESHEET = /usr/share/sgml/docbook/stylesheet/dsssl/ldp/ldp.dsl
+
+#Options for generating multiple HTML output
+MULTIPLEHTMLOPT = -t sgml -ihtml -d${DBSTYLESHEET}\#html 
+
+#Name of the directory for the source sgml
+SGMLDIR = en
+
+#Name of the directory for the "others" files
+OTHERSDIR = ${SGMLDIR}/others
+
+#Name of the directory for the png files
+PNGDIR = png
+
+RESULTDIR = result/${SGMLDIR}
+
+#Name of the directory for the output of the multiple html
+MULTIPLEHTMLDIR = ${RESULTDIR}/out-htmls
+
+#Name of the directory for the output the ps file
+PSDIR = ${RESULTDIR}/out-ps
+
+#Name of the script which generates the ps file, in RedHat it's db2ps
+SCRIPTPS = db2ps
+
+#Name of the directory for the temp and tmp-output the pdf file
+PDFDIR = ${RESULTDIR}/tmp-pdf
+#Name of the script which generates the ps file, in RedHat it's db2ps
+SCRIPTPDF = db2pdf
+
+#Variables needed by the rules, should NOT be changed
+#Variable for including the sgml source file
+VPATH = ${SGMLDIR}
+
+#Variable for knowing if there exists the sgml index file, in case it
+#NOT exists its value is empty, otherwise it's the name of the index
+ISINDEX = ${findstring ${INDEX}, ${wildcard ${SGMLDIR}/*.sgml}}
+
+#Variable for knowing if the tag init will be needed
+ifneq (${ISINDEX}, ${INDEX})
+	USEINIT = init
+endif
+
+#Variable for storing the name of all the sgml source files directory
+SRCFILES = $(patsubst ${SGMLDIR}/${INDEX}.sgml,,$(wildcard ${SGMLDIR}/*))
+
+#Variable for storing the name of all the files in the "others" directory
+OTHERFILES = $(wildcard ${OTHERSDIR}/*)
+
+#Variable for storing the names of the "others" files placed in the
+
+#Variable for storing the names of the "others" files placed in the
+#multiple-html directory
+OTHERMULTIPLE = $(patsubst ${SGMLDIR}/others/%, ${MULTIPLEHTMLDIR}/%, ${OTHERFILES} )
+
+#Variable for storing the names of the png's pictures
+PNGFILES = $(wildcard ${PNGDIR}/*.png)
+
+#Variable for storing the names of the png's files placed on the
+
+#Variable for storing the names of the png's files placed on the
+#single-html directory
+PNGMULTIPLE = $(patsubst ${PNGDIR}/%, ${MULTIPLEHTMLDIR}/%, ${PNGFILES})
+
+#Variable for storing the names of the eps files
+FIGEPS = $(patsubst ${PNGDIR}/%.png, ${PSDIR}/%.eps, ${PNGFILES})
+
+PATH_LANG = ${CURDIR}/${SGMLDIR}
+
+all: multiple-html ps pdf
+
+.PHONY: all clean init cpfilessingle multiple-html cpfilesmultiple distsource ps
+
+#Rules needed for generating multiple html files
+
+multiple-html: ${MULTIPLEHTMLDIR}/${DOC}.html cpfilesmultiple
+
+${MULTIPLEHTMLDIR}/${DOC}.html: ${MULTIPLEHTMLDIR} ${INDEX}.sgml.m ${SGMLDIR}/${DOC}.tmp.sgml
+	#cp -f ${SGMLDIR}/${INDEX}.sgml.m ${SGMLDIR}/${INDEX}.sgml
+	${COMPILER} ${MULTIPLEHTMLOPT} ${SGMLDIR}/${DOC}.tmp.sgml
+	mv *.html ${MULTIPLEHTMLDIR}
+
+${SGMLDIR}/${DOC}.tmp.sgml: ${SGMLDIR}/${DOC}.sgml
+	sed "s:##PATHLANG##:${PATH_LANG}:" ${SGMLDIR}/${DOC}.sgml > ${SGMLDIR}/${DOC}.tmp.sgml
+
+HTML.index.m: ${DOC}.sgml ${SRCFILES} ${USEINIT} ${SGMLDIR}/${DOC}.tmp.sgml
+	${COMPILER} ${MULTIPLEHTMLOPT} -V html-index ${SGMLDIR}/${DOC}.tmp.sgml > /dev/null
+	mv HTML.index ${SGMLDIR}/HTML.index.m
+	rm *.html
+
+${INDEX}.sgml.m: HTML.index.m
+	perl -S collateindex.pl -o ${SGMLDIR}/${INDEX}.sgml.m ${SGMLDIR}/HTML.index.m
+
+${MULTIPLEHTMLDIR}:
+	mkdir -p ${MULTIPLEHTMLDIR}
+
+cpfilesmultiple: ${PNGMULTIPLE} ${OTHERMULTIPLE}
+
+${MULTIPLEHTMLDIR}/%.png: ${PNGDIR}/%.png
+	cp -rf $< $@
+
+${MULTIPLEHTMLDIR}/%: ${OTHERSDIR}/%
+	cp -rf $< $@
+
+#Rules needed for generating the ps file
+
+ps: ${PSDIR}/${DOC}.ps
+
+${PSDIR}/${DOC}.ps: ${PSDIR} ${FIGEPS} ${INDEX}.sgml.m
+	cp -rf ${SGMLDIR}/*.sgml ${PSDIR}
+	cd ${PSDIR}; ${SCRIPTPS} ${DOC}.tmp.sgml ; mv ${DOC}.tmp.ps ${DOC}.ps
+	cd ..
+
+${PSDIR}/%.eps: ${PNGDIR}/%.png ${PSDIR}
+	convert $< $@
+
+${PSDIR}:
+	mkdir -p ${PSDIR}
+
+#Rules needed for generating the pdf file
+
+pdf: ${PDFDIR}/${DOC}.pdf
+
+${PDFDIR}/${DOC}.pdf: ${PDFDIR} ${INDEX}.sgml.m
+	cp -rf ${PNGDIR}/* ${PDFDIR}
+	cp -rf ${SGMLDIR}/*.sgml ${PDFDIR}
+	cp -rf ${SGMLDIR}/* ${PDFDIR}
+	mv ${PDFDIR}/${DOC}.tmp.sgml ${PDFDIR}/${DOC}.sgml
+	cd ${PDFDIR};${SCRIPTPDF} ${DOC}.sgml
+	cd ..
+
+${PDFDIR}:
+	mkdir -p ${PDFDIR}
+
+#Some additional and standard tags
+init:
+	perl -S collateindex.pl -N -o ${SGMLDIR}/${INDEX}.sgml
+
+distsource: clean
+	tar cvfz ${DOC}.tar.gz *
+
+clean:
+	rm -rf ${MULTIPLEHTMLDIR} ${SGMLDIR}/*.index.* ${SGMLDIR}/${INDEX}.sgml* nil ${PSDIR} ${PDFDIR}
+
+
+

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/README Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/TODO Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/build-deps Added

@@ -0,0 +1,1 @@
+coreutils (>= 5.97-5.3 ), debianutils (>= 2.17.5 ), docbook (>= 4.4-1 ), docbook-dsssl (>= 1.79-4 ), docbook-html-forms (>= 1.1.0-3 ), docbook-jrefentry (>= 1.1.0-1 ), docbook-mathml (>= 1.0.0-2 ), docbook-simple (>= 1.0.0-6.1 ), docbook-slides (>= 3.3.1.0-1.1 ), docbook-utils (>= 0.6.14-1 ), docbook-website (>= 2.5.0.0-7.2 ), docbook-xml (>= 4.4-5 ), festival (>= 1.4.3-17.2 ), grep (>= 2.5.1.ds2-6 ), jadetex (>= 3.13-7.1 ), ldp-docbook-dsssl (>= 0.0.20040321-2 ), libacl1 (>= 2.2.42-1 ), libattr1 (>= 1 ), libbz2-1.0 (>= 1.0.3-6 ), libc6 (>= 2.3.6.ds1-13 ), libexpat1 (>= 1.95.8-3.4 ), libfontconfig1 (>= 2.4.2-1.2 ), libfreetype6 (>= 2.2.1-5 ), libgcc1 (>= 1 ), libice6 (>= 1 ), libjasper-1.701-1 (>= 1.701.0-2 ), libjpeg62 (>= 6b-13 ), libkpathsea4 (>= 3.0-30 ), liblcms1 (>= 1.15-1 ), libmagick9 (>= 7 ), libncurses5 (>= 5.5-5 ), libosp5 (>= 1.5.2-3 ), libpng12-0 (>= 1.2.15~beta5-1 ), libpoppler0c2 (>= 0.4.5-5.1 ), libselinux1 (>= 1.32-3 ), libsepol1 (>= 1.14-3 ), libsm6 (>= 1 ), libsp1c2 (>= 1.3.4-1.2.1-47 ), libstdc++6 (>= 4.1.1-21 ), libtiff4 (>= 3.8.2-7 ), libx11-6 (>= 2 ), libxau6 (>= 1 ), libxdmcp6 (>= 1 ), libxext6 (>= 1 ), libxml2 (>= 2.6.27.dfsg-1 ), libxt6 (>= 1 ), locales (>= 2.3.6.ds1-13 ), metacity-common (>= 1 ), openjade (>= 1.4devel1-18 ), openjade1.3 (>= 1.3.2-9 ), sgml-data (>= 2.0.3 ), sgmltools-lite (>= 3.0.3.0.cvs.20010909-13 ), tetex-base (>= 3.0.dfsg.3-5 ), tetex-bin (>= 3.0-30 ), tetex-extra (>= 3.0.dfsg.3-5 ), tex-common (>= 1.0.1 ), tipa (>= 2 ), w3c-dtd-xhtml (>= 1.1-5 ), w3-dtd-mathml (>= 2.0.0.0-1 ), xml-core (>= 0.09-0.1 ), zlib1g (>= 1 ), 
\ No newline at end of file

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/animation/conclusion.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/animation/introduction.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/animation/keyframe.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/animation/movement.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/animation/rendering.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/animation/timeline.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/animation/workspace.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/appendix/apendices.sgml Added

@@ -0,0 +1,46 @@
+<appendix id="archivo-hola">
+ <title>El archivo <filename>hola.txt</filename></title>
+ <para>Por motivos de referencia incluímos el contenido del
+  archivo <filename>hola.txt</filename></para>
+ 
+ <informalexample>
+<programlisting>
+Hola Mundo
+</programlisting>
+ </informalexample>
+</appendix>
+
+<appendix id="faq">
+ <title>Preguntas Frecuentes</title>
+ <qandaset defaultlabel="number">
+  <qandaentry>
+   <question>
+    <para>¿Qué es <acronym>DocBook</acronym>?</para>
+   </question>
+   <answer>
+    <para>Es un lenguaje de marcado útil para escribir
+     documentación técnica.</para>
+   </answer>
+  </qandaentry>
+ </qandaset>
+</appendix>
+<glossary>
+ <glossentry id="doc">
+  <glossterm><acronym>DocBook</acronym></glossterm>
+  <glossdef>
+   <para>Lenguaje de marcado definido en
+    <acronym>SGML</acronym>que permite escribir documentación
+    técnica</para>
+  </glossdef>
+ </glossentry>
+ <glossentry>
+  <glossterm>emacs</glossterm>
+  <glossdef>
+   <para>Editor de amplio uso en <acronym>unix</acronym>. Su
+    nombre proviene de Editor MACroS (Macros de Edición). </para>
+  </glossdef>
+ </glossentry>
+</glossary>
+
+
+
\ No newline at end of file

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/appendix/glossary.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/appendix/keyboard.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/installation/installation.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/interface/history.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/interface/interface.sgml Added

@@ -0,0 +1,76 @@
+
+
+
+<chapter id="interface">
+<title>The user Interface</title>
+<para>When you start Synfig Studio, it will display a splash graphic and boot 
+itself up. After it finishes loading, you should see three windows. The window 
+in the upper left is the toolbox. This is where you can open files, change tools, 
+etc. You'll notice that most of the buttons are greyed out--because there is no 
+file open yet.</para>
+
+<para>The other two windows (one on the bottom, and one to the right) are 
+customizable dock dialogs. You can rearrange the contents of these however 
+you wish by simply dragging the tab to where you want it. You can even create a 
+new dock dialog by dragging a tab out of the dock dialog it was inside of.</para>
+
+<para>If you ever accidentally close a dock tabs (by dragging it out of the dock 
+dialog, and closing the new dock dialog that gets created), no worries. Simply 
+goto the toolbox and goto "File->Dialogs", and then click on the name of the 
+dialog you need.</para>
+
+<para>There are a lot of dock tabs. If you have no idea what a dock tab does, 
+simply hold your mouse over its icon and a tooltip will pop up describing the 
+name of the tab.<para>
+
+Here are some of the more important ones:
+<itemizedlist>
+ <listitem>
+  <para>Layers Dialog (<xref linkend="layers"/>) - This tab shows you the layer 
+  hierarchy for the currently selected canvas. It also allows you to manipulate 
+  these layers.</para>
+ </listitem>
+ <listitem>
+  <para>Params Dialog (<xref linkend="params"/>)- This tab will show you the 
+  parameters of the currently selected layer, (OR, if multiple layers are 
+  selected, it shows you only the parameters that the selected layers have 
+  in common)</para>
+ </listitem>
+ <listitem>
+  <para>Tool Options Dialog (<xref linkend="tooloptions"/>) - Shows you any 
+  options specific to the currently selected tool</para>
+ </listitem>
+ <listitem>
+  <para>Navigator (<xref linkend="navigator"/>) - Shows you a thumbnail of what the currently selected Canvas
+  looks like. You can also zoom in and move the focus around with this tab.</para>
+ </listitem>
+ <listitem>
+  <para>History Dialog (<xref linkend="history"/>- Shows you the history stack for the current composition. 
+  You can also edit the actions in history.</para>
+ </listitem>
+</itemizedlist>
+
+<para>If you click the "new composition" button in the toolbox, a new composition 
+will be opened and the canvas properties dialog will appear.</para>
+
+<para>The canvas properties dialog is a mess, I know. I'll have it re-designed into 
+something much more comprehendible in the next few days. For now, ignore the 
+"Image Area" and "Locks and Links" sections.</para>
+
+<para>If you click OK, the canvas properties dialog will disappear and you will see 
+the Canvas window. This window represents the Root Canvas, not that that means much 
+to you at the moment, but that's OK--I'm just trying to show you around.</para>
+
+<para>In the upper left corner of the Canvas Window, you'll see a button with a 
+caret If you click on this button, the canvas window menu will pop up. (As an aside, 
+if you right click in the canvas area and there is not a layer under the mouse 
+position, this menu will also appear) So now you know where the menu is in the Canvas 
+Window. Good. Everything else should be pretty self-explanatory in the Canvas Window. 
+(Explanations on the menu stuff is to come in a sec)</para>
+&toolbox.sgml;
+&layers.sgml;
+&params.sgml;
+&tooloptions.sgml;
+&navigator.sgml;
+&history.sgml;
+</chapter>

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/interface/layers.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/interface/navigator.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/interface/params.sgml Added

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+end restore showpage
+%%Trailer
+%%EOF

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/interface/toolbox.sgml Added

@@ -0,0 +1,48 @@
+
+
+<?xml version="1.0" encoding="utf-8"?>
+<sect1 id="toolbox">
+<title>The toolbox</title>
+<para>
+apsldkfjañsdlfads ñlaskdfjñald skfañdkl fjañsdklfj añdslvf kjadsñfkjadñfjkaflñjak añ kfjañ fñakjd fañ
+a dfñladjf añdlkfj añlkf añldkf adlkf ajdñlf adñflkj dsñalj kfañldkf asjdñfkl asdñf akj
+añ kfd ñaj kasñj kds ñjk sñljks añljskañ kñasjksdañ jk dfñljk
+</para>
+    <figure id="toolboximg">
+   <title>Toolbox</title>
+   <screenshot>
+    <mediaobject>
+     <imageobject>
+      <imagedata fileref="toolbox" format="EPS" scale="50">
+     </imageobject>
+    </mediaobject>
+    </screenshot>
+    </figure>
+<para>
+asdf a dsf dsfa sdf adf adfadf ad f adsfasd fa sdf asd f asdf asdf  asf  adsf asdf asd fa
+ adsf asdf asd f asdf a dfa sdf as fasdf asdf adf ad faf f asdf af asd fa sf asdf adf adf 
+ a dsf a dfa sdf ad fa df asdf asdf asd f af
+</para>
+<para>
+<table>
+<title></title>
+<tgroup cols="4" align="center">
+<tbody>
+<row>
+<entry >New</entry>
+<entry >Open</entry>
+<entry >Save</entry>
+<entry >Save As</entry>
+</row>
+<row>
+<entry >Save All</entry>
+<entry >Undo</entry>
+<entry >Redo</entry>
+<entry >About Synfig Studio</entry>
+</row>
+</tbody>
+</tgroup>
+</table>
+
+</para>
+</sect1>

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/interface/tooloptions.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/introduction/introduction.sgml Added

@@ -0,0 +1,52 @@
+
+
+<chapter id="introduction">
+    
+ <title><acronym>Introduction</acronym></title>
+ <para>Synfig, like most every other competent graphics program, breaks down 
+ individual elements of a Canvas into Layers. However, it differs from other 
+ programs in two major ways:</para>
+ <orderedlist>
+   <listitem>
+    <para>An individual layer in Synfig usually represents a single "Primitive". 
+    ie: A single region, an outline of a region, an imported JPEG, etc... This
+    allows you to have a great deal of flexibility and control. It is not
+    uncommon for a composition to have hundreds of layers(organized into a 
+    hierarchy for artist sanity of course).</para>
+   </listitem>
+   <listitem>
+    <para>A layer can not only composite information on top of the image below it,
+    but also distort and/or modify it in some other way. In this sense, Synfig 
+    Layers act much like filters do in Adobe Photoshop or the GIMP. For example, 
+    we have a Blur Layer, Radial Blur Layer, Spherical Distortion Layer, 
+    color-correct layer, bevel layer, etc... </para>
+   </listitem>
+ </orderedlist>
+
+ <para>Each layer has a set of parameters which determine how it behaves. When 
+ you click on a layer (either in the canvas window, or in the Layer Dialog), 
+ you will see its parameters in the Params Dialog.</para>
+
+ <para>Synfig Studio has an autorecover feature. If it crashes, even if the 
+ current file has not been saved, it will not lose more than 5 minutes of work. 
+ At restart it will automatically prompt the user to recover the unsaved changes. 
+ Unfortunately history isn't recovered yet. That feature comes later.</para>
+
+ <para>One thing you may notice is that Synfig Studio is SLOW, making it
+ practically unusable on hardware that is over 3 years old. The biggest reason
+ for this is that all of the color calculations are done in floating point 
+ because Synfig Studio was built from the ground up with High-Dynamic-Range 
+ Imaging in mind. HOWEVER, this will not be the case forever.</para>
+
+ <para>darco has some fairly major re-implementations and optimizations that 
+ he plans to implement that should quite dramatically improve the performance 
+ of Synfig on all platforms. The goal is not a 200% speed increase, it is at 
+ least a 2000% speed increase. With the optimizations that are planned to be
+ implemented, we will be able to pipeline operations in such a way that this
+ performance improvement can be realized. It should also pave the way to hardware
+ acceleration using today's powerful graphics processors, which should yield 
+ further performance improvements measurable in orders of magnitude.</para>
+</chapter>
+
+
+

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/steps/done Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/steps/firststeps.sgml Added

@@ -0,0 +1,69 @@
+ 
+ 
+<chapter id="firststeps"> 
+<title>First Steps</title> 
+<para> Lets create something
+so that we can tweak with it. Now that you have a new composition open
+and the properties dialog is out of the way, go over to the toolbox and
+click on the circle tool(If you don't know which one it is, just mouse
+over them until you find the one with the tooltip that says "circle").</para>
+
+<para>The second you click on the circle tool, you should notice that the tool
+options tab changed. But we'll get to that later.
+
+    <footnote><para>Some laptop users might experience trouble where click-drag on
+    the canvas when using the circle tool doesn't seem to do anything
+    or produce insanely huge circles. The problem is that Synfig has
+    detected the touchpad and enabled that device (incorrectly!) To fix
+    this: click File->Input devices... In the resulting dialog window,
+    select 'Disabled' for your touchpad device. After this change,
+    your external mouse and the touchpad will work as expected.</para></footnote>
+</para>
+    <para>With the circle tool selected, you can now create circles in the
+    canvas window. This pretty much works exactly as you might expect
+    it to. Go ahead and create two (or more, if you fancy) circles. If
+    by accident you just clicked on the canvas instead of clicking and
+    dragging(with mouse button pressed) to draw the circle, you end up
+    creating a circle with 0 radius and it is effectively invisible! No
+    need to worry, you can easily fix this. In the Params dialog, you
+    can change the parameters of the selected object. If you just made
+    a 0 radius circle, it should be the current selected object. you can
+    change its radius to some value other than 0, say 10, and manipulate
+    it to your liking with the canvas ducks later.</para>
+
+    <para>Now go back to the toolbox and click on the normal tool (the blue
+    circle with the arrow on it). After you do this, click on one of your
+    circles. You will then see a bounding box(which is kinda useless
+    at this point in time, but I digress), a green dot at the center,
+    and a cyan dot on the radius. Those dots are called ducks. If you
+    want to modify the circle, grab a duck and drag it around. Easy!</para>
+
+    <para>So you can select a layer by clicking on it. If you want to select
+    more than one layer, hold down CONTROL while you are clicking--this
+    works in both the canvas window and the layer tab. Try it!</para>
+
+    <para>You can also select multiple ducks. You can do this in several
+    ways. First, you can hold down CONTROL and individually click the
+    ducks that you want selected, but this can be tedious. However, there
+    is a much faster method--just create a selection box by clicking the
+    mouse and dragging it over the area of ducks that you want selected.<para>
+
+    <para>Go ahead and select two circles, and select all of their ducks. With
+    several ducks selected, moving one duck will move all of the
+    ducks. This behavior is dependent on the normal tool. Thus, a
+    more descriptive name for this tool might have been the "move" or
+    "translate" tool.</para>
+
+    <para>The Rotate and Scale tools work much like the Normal tool, except in
+    the case where you have multiple ducks selected. It is much easier
+    to just try it than read about it. Select a few circles, select all
+    of their ducks, and try using the rotate and scale tools.</para>
+
+    <para>Note that, unlike the normal tool, the other duck manipulation tools
+    DO have options associated with them. If a particular tool isn't
+    doing what you want, take a look in the tool options tab to see if
+    it is set up like you want it.</para>
+&linking.sgml; 
+&steplayers.sgml; 
+&shapes.sgml; 
+</chapter>

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/steps/layers/combining.sgml Added

@@ -0,0 +1,32 @@
+
+
+<sect2 id="combining">
+<title>Combining</title>
+<para>Now there are two ways to proceed. In the first way, pick the gradient 
+tool from the Synfig Toolbox, and click into the canvas once. You should note
+that another layer was added in the Layers Dialog called 'Gradient'. This is 
+nothing special. If you see no gradient but just a plain color, pick the normal
+tool, click into the canvas to activate the gradient's ducks. You need to grab 
+the one you see and move it a bit until a gradient appears.</para>
+
+<para>You now have a gradient but it is not what you wanted: It spreads the 
+whole canvas and the goal was to have a gradient on the rectangle. Let's fix 
+this now.</para>
+
+<para>Select the gradient and the rectangle layer in the Layers Dialog. They 
+should appear with a blue background now. Then, context-click (ie. right-click 
+on Windows and Linux) and select 'Encapsulate' from the menu. The view of your 
+layer tab should change now, showing a small box called 'Inline Canvas' with an
+arrow in front. If you click the arrow, it will unfold and show your previous 
+two layers; the gradient and the rectangle.</para>
+
+<para>You can treat this layer like any other layer -- move it around, 
+duplicate it, copy and paste it. You'll notice an arrow next to the icon of the
+box. By clicking on this arrow, you can expand the inline canvas to see its 
+contents.</para>
+
+<para>If you want to change the name of it to something more descriptive, just 
+select the layer in the layer tab and click on its label. Then you just edit it
+in place. You can do this for ANY layer, and are strongly encouraged to do so. 
+</para>
+</sect2>

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/steps/layers/done Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/steps/layers/layers.sgml Added

@@ -0,0 +1,37 @@
+ 
+ 
+<sect1 id="steplayers">
+<title>Layers</title> 
+<para> In the previous tutorial, you made a
+first simple animation by changing the attributes of primitive objects
+such as its position, color, and size. These simple types, however, are
+seldomly sufficient to create advanced characters and objects. To do so,
+Synfig uses Layers. They are similar to layers known from other drawing
+application such as the GIMP, for instance.</para>
+
+<para>However, Synfig is different to simple layers in at least two 
+respects:</para>
+<orderedlist>
+  <listitem>
+   <para>You can organize layers into hierarchical groups.</para>
+  </listitem>
+  <listitem>
+   <para>You can use upper layers to change the behaviour (or look)
+      or underlying layers.</para>
+  </listitem>
+</orderedlist>
+
+<para>Doing so is quite easy. Let's look at a simple example.</para>
+
+<orderedlist>
+  <listitem>
+   <para>Create a new file with 0 duration. There's no need to bother
+	 with a timeline at this point.</para>   
+  </listitem>
+  <listitem>
+   <para>Create a simple rectangle.</para>
+  </listitem>
+</orderedlist>
+&using.sgml; 
+&combining.sgml; 
+</sect1>

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/steps/layers/using.sgml Added

@@ -0,0 +1,57 @@
+ 
+ 
+<sect2 id="using">
+<title>Using</title> 
+<para> However, there is still a problem: The gradient still covers the whole 
+canvas although we wanted it to be restricted on the rectangle. To do so, 
+activate the gradient layer in the Layer tab. Now go to the Params Dialog (by 
+default a tab in the Params-Children-Keyframes window), and search the attribute
+called 'Blend Method'. Double-click the entry and select 'Onto' from the
+appearing drop-down menu.</para>
+
+<para>The gradient should now be restricted to the rectangle. Congratulations!
+You just made your first interacting layers with Synfig.</para>
+
+<para>If only for the additional organization, encapsulating layers into inline
+canvases dramatically improves the ease of use of Synfig Studio. But
+lots of programs can do this. The concept of scope as just demonstrated
+sets Synfig apart from other programs with layer hierarchies.</para>
+<para>
+<footnote><para>The following remarks seem to be outdated already! A blur 
+defaults to 'Straight' here (using SVN 110). --Claus 06:45, 11 Jan 2006 (PST)
+</para></footnote>
+
+    <footnote><para>It defaulted to composite for me, as described (using 
+    SVN 147) Matumio 07:56, 12 Mar 2006 (PST)</para></footnote>
+
+    However, a layer can only modify the data that it gets from directly
+    below it. In other words, if you were to throw a Blur Layer at
+    the top of the objects inside the inline canvas we just created,
+    it would just blur them -- anything under it would not be blurred!</para>
+
+    <para>Lets try it. Add a few circles under the inline canvas we just
+    created. Expand the inline canvas to show its contents, and select
+    the top layer inside of it (should be the "Outline" layer). This
+    is where we want to insert the blur. Right click on the selected
+    layer and a popup menu will appear. The first item in that popup
+    is "New Layer". Inside of the "New Layer" menu, you'll see several
+    categories of layers you could create, but what we want is a blur,
+    so goto the Blur category and select the "Blur" layer. (so that
+    would be "New Layer->Blurs->Blur")</para>
+
+    <para> Well, it blurred... but something is not quite right--the inside edge
+    of the outline is now all soft, but it still kinda looks like there is
+    a hard edge on the outside. It is doing this because the blend method
+    of the blur defaulted to "Composite" (you can change the default
+    blend method for new layers from the New Layer Defaults section of
+    the Toolbox). What we want is a blend method of "Straight". Just
+    select the blur layer, and change the Blend Method to "Straight"
+    in the Params Dialog.</para>
+
+    <para>(NOTE: I will probably change the way that default blend methods are
+    handled in the future--as the way it is currently handled seems to
+    only create hassles like this)</para>
+
+    <para>Ok, now we have all of the contents of the inline canvas blurred,
+    but everything under it is sharp!</para> 
+</sect2>

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/ca/steps/linking.sgml Added

@@ -0,0 +1,53 @@
+ 
+ 
+<sect1 id="linking">
+<title>Linking</title> 
+<para>Now lets try linking. Lets say we always
+want these two circles to be the same size. Select two circles, and then
+select both of their Radius ducks(the cyan dot). Then right click on
+either duck and a menu will pop up. Click on "Link". Boom. The parameters
+are linked together. You can prove it to yourself by selecting just one
+of the circles and changing its radius--the other one will change as
+well. Neat stuff, eh?</para>
+
+<para>Linking is a fundamental concept in Synfig. You can create links not only
+between ducks, but also between parameters as well by selecting multiple
+layers, right clicking on the parameter in the param tab, and selecting
+"Link".</para>
+
+<para>DIGRESSION: This is how outlines are attached to their regions-but
+I'm getting ahead of myself. At the moment, the fundamental power and
+flexibility of linking in Synfig Core is beyond what Synfig Studio
+currently allows for. This will change in the future. Anyway, back
+on track...</para>
+
+<para>Lets say you want one of the circles to be a different color. If you look
+in the toolbox below the tools, you'll see the foreground/background
+color selector, the outline width selector, and some other stuff like
+the default blend method and gradient. The foreground/background color
+widget works exactly as you might expect--you can click on the foreground
+color, and a modest color chooser will appear. Now to can change the
+color pretty easily.</para>
+
+<para>But sometimes you just want to click on a color and go. This is where
+the palette editor tab comes in. It's functionality isn't quite 100% yet
+(ie: saving and loading custom palettes hasn't been implemented yet),
+but the default palette is pretty decent. Click on the Palette editor tab
+and have a look--it's the one with the palette-ish looking icon. Clicking
+on colors in here will immediately change the default foreground color.</para>
+
+<para>That's all great, but we still haven't changed the color of the
+circle. There are two ways to do this. The first way is that you select
+the circle layer you want to modify, goto the params tab and double click
+on the color parameter--a color selector dialog shows up and you just
+tweak away. But lets say you already got the color you wanted selected as
+the default foreground color. Easy. Just click on the "Fill tool" from the
+toolbox, and then click on the circle in the canvas window. Boom. Circle
+changes color. This works with more than just circles, but we'll get to
+that in a sec.</para>
+
+<para>Try playing around with the circles for a bit. Muck around with the
+parameters, and see what happens. To get you started, play around with
+feather a bit.  
+</para> 
+</sect1>

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+
+
+<sect1 id="shapes">
+  <title>Shapes</title>
+  <para> Basic primitives such as circles or
+rectangles are all great, but they are pretty much geometrically
+inflexible. What about shapes? To do this, we use the bline tool.</para>
+  <para>In Synfig, the construct for describing shapes is called a Bline. This
+is roughly analogous to a "path" in other programs, except that it is
+strictly a hermite spline.</para>
+  <para>When you click on the bline tool, you will see that the ducks from
+your currently selected layer (if there was one) will disappear, but
+the layer(s) will still remain selected in the Layers Dialog. This is
+normal. Anything you create in the bline tool will be inserted above the
+currently selected layer. Keep in mind that if you want to insert a shape
+somewhere, you should select where you want to insert it before you go
+into the Bline tool-changing the selection afterward will automatically
+swap you back to the normal tool.</para>
+  <para>If you take a look at the tool options dialog, you'll notice that the
+first things you see are three checkboxes. Make sure that only "Fill"
+AND "Outline" are checked.</para>
+  <para>First, go ahead and click on the "R" button in the lower left corner of
+the FG/BG color widget in the toolbox. This will reset us back to black
+and white. Also, go ahead and set the default line width (right next to
+the FG/BG widget) to something nice and thick -- 10pt should do the 
+trick.</para>
+  <para>Clicking with your mouse in the canvas will place vertices. While you are
+placing a vertex, you can drag out its tangent by dragging the mouse. Do
+this over and over, and you construct a Bline.</para>
+  <para>Keep in mind, however, that during this construction, there is nothing
+stopping you from just moving it if you don't like where you placed
+a vertex or a tangent. Honest! If you want to remove a vertex, right
+click on it and delete it. Want to split the tangents? Right click on
+the tangent and hit "split tangents". Want to loop the bline? right
+click on the first vertex and select "loop".</para>
+  <para>So I assume you got your first Bline laid out like you want it. That's
+great. But we are still in construction mode -- the layers haven't been
+created yet. There are two ways to create the layers:</para>
+  <orderedlist>
+    <listitem>
+      <para>just switch to another tool, or</para>
+    </listitem>
+    <listitem>
+      <para>press the "create" button at the bottom of the tool options tab
+      (it's the icon that looks like a gear).</para>
+    </listitem>
+  </orderedlist>
+  <para>     For now, just go ahead and click on the normal tool because we
+      are done with the bline tool.</para>
+  <para>// Insert Figure about here</para>
+  <para>Ok, we now have a nice pretty white region with a thick black
+      outline. Notice that there are two layers that we have created--the
+      Outline and the Region. Despite the fact that they are two separate
+      layers, their vertices parameter has already been linked--so you
+      can select either one and move its ducks around and the other one
+      will also change.</para>
+  <para>If you want to manipulate the vertices after you have created
+      the layers, it is very easy to do so. Just click on one of the
+      layers and have at it. If you want to remove a vertex, right
+      click on it and hit "Remove Item (smart)". Want to insert a point
+      somewhere? Right click on the segment where you want to insert
+      something and his "Insert item (smart)".</para>
+  <para>NOTE: The only major difference between this normal editing mode
+      and the construction mode is in how you split the tangents--in
+      construction mode you right click on the tangent itself. In normal
+      duck editing mode, you must right click on the vertex that the
+      tangents are attached to. This could be considered a usability bug,
+      and it will be resolved at some point.</para>
+  <para>This may appear to be leading to a mess of layers. And yes, if
+      you aren't using the software properly, that is exactly what you
+      will get. But there is a way to make this more sane: Just study
+      the previous tutorial</para>
+  <para>One quick thing to mention before I finish up. You can change the
+      width of an outline at each vertex. You do this by selecting the
+      outline layer (NOTE: you must select the Outline Layer, the Region
+      Layer has no width data) and tweaking with the width ducks. By
+      default, these are masked. To show them, press Alt-5. Repeat to
+      hide them again. You can also see other things to mask via the
+      Canvas Menu Caret &gt; View Menu &gt; Mask Ducks Menu.</para>
+  <para>That should give you enough of a grasp of the software to be able
+      to figure out more stuff on your own.</para>
+</sect1>

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@@ -0,0 +1,64 @@
+
+
+
+<!DOCTYPE book PUBLIC "-//OASIS//DTD DocBook V4.2//EN" 
+ 
+
+<!ENTITY index.sgml SYSTEM "index.sgml">
+<!ENTITY introduction.sgml SYSTEM "##PATHLANG##/introduction/introduction.sgml">
+
+<!ENTITY interface.sgml SYSTEM "##PATHLANG##/interface/interface.sgml">
+<!ENTITY toolbox.sgml SYSTEM "##PATHLANG##/interface/toolbox.sgml">
+<!ENTITY layers.sgml SYSTEM "##PATHLANG##/interface/layers.sgml">
+<!ENTITY params.sgml SYSTEM "##PATHLANG##/interface/params.sgml">
+<!ENTITY tooloptions.sgml SYSTEM "##PATHLANG##/interface/tooloptions.sgml">
+<!ENTITY navigator.sgml SYSTEM "##PATHLANG##/interface/navigator.sgml">
+<!ENTITY history.sgml SYSTEM "##PATHLANG##/interface/history.sgml">
+
+<!ENTITY firststeps.sgml SYSTEM "##PATHLANG##/steps/firststeps.sgml">
+<!ENTITY linking.sgml SYSTEM "##PATHLANG##/steps/linking.sgml">
+<!ENTITY shapes.sgml SYSTEM "##PATHLANG##/steps/shapes.sgml">
+
+
+<!ENTITY steplayers.sgml SYSTEM "##PATHLANG##/steps/layers/layers.sgml">
+<!ENTITY combining.sgml SYSTEM "##PATHLANG##/steps/layers/combining.sgml">
+<!ENTITY using.sgml SYSTEM "##PATHLANG##/steps/layers/using.sgml">
+
+<!ENTITY apendices.sgml SYSTEM "##PATHLANG##/appendix/apendices.sgml">
+>
+<book lang="en" id="gettingstarted">
+  <bookinfo>
+    <date>28 Aug 2006</date>
+    <title><acronym>Synfig Studio</acronym>
+    </title>
+    <subtitle>Getting Started</subtitle>
+    <releaseinfo>Initial Release</releaseinfo>
+    <authorgroup>
+      <author>
+	<firstname>Miguel</firstname>
+	<surname>Gea Milvaques</surname>
+      </author>
+      <author>
+      	<firstname>et Alt.</firstname>
+      </author>
+    </authorgroup>
+    <address>synfig@miguelgea.com</address>
+    <legalnotice>
+      <para>Released with GFDL license</para>
+    </legalnotice>
+    <revhistory>
+      <revision>
+	<revnumber>0.1</revnumber>
+	<date>2006-8-28</date>
+	<authorinitials>mgm</authorinitials>
+	<revremark>Document start</revremark>
+      </revision>
+    </revhistory>
+  </bookinfo>
+&introduction.sgml;
+&interface.sgml;
+&firststeps.sgml;
+&apendices.sgml;
+&index.sgml;
+</book>
+

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_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/appendix/apendices.sgml Added

@@ -0,0 +1,46 @@
+<appendix id="archivo-hola">
+ <title>El archivo <filename>hola.txt</filename></title>
+ <para>Por motivos de referencia incluímos el contenido del
+  archivo <filename>hola.txt</filename></para>
+ 
+ <informalexample>
+<programlisting>
+Hola Mundo
+</programlisting>
+ </informalexample>
+</appendix>
+
+<appendix id="faq">
+ <title>Preguntas Frecuentes</title>
+ <qandaset defaultlabel="number">
+  <qandaentry>
+   <question>
+    <para>¿Qué es <acronym>DocBook</acronym>?</para>
+   </question>
+   <answer>
+    <para>Es un lenguaje de marcado útil para escribir
+     documentación técnica.</para>
+   </answer>
+  </qandaentry>
+ </qandaset>
+</appendix>
+<glossary>
+ <glossentry id="doc">
+  <glossterm><acronym>DocBook</acronym></glossterm>
+  <glossdef>
+   <para>Lenguaje de marcado definido en
+    <acronym>SGML</acronym>que permite escribir documentación
+    técnica</para>
+  </glossdef>
+ </glossentry>
+ <glossentry>
+  <glossterm>emacs</glossterm>
+  <glossdef>
+   <para>Editor de amplio uso en <acronym>unix</acronym>. Su
+    nombre proviene de Editor MACroS (Macros de Edición). </para>
+  </glossdef>
+ </glossentry>
+</glossary>
+
+
+
\ No newline at end of file

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@@ -0,0 +1,76 @@
+
+
+
+<chapter id="interface">
+<title>The user Interface</title>
+<para>When you start Synfig Studio, it will display a splash graphic and boot 
+itself up. After it finishes loading, you should see three windows. The window 
+in the upper left is the toolbox. This is where you can open files, change tools, 
+etc. You'll notice that most of the buttons are greyed out--because there is no 
+file open yet.</para>
+
+<para>The other two windows (one on the bottom, and one to the right) are 
+customizable dock dialogs. You can rearrange the contents of these however 
+you wish by simply dragging the tab to where you want it. You can even create a 
+new dock dialog by dragging a tab out of the dock dialog it was inside of.</para>
+
+<para>If you ever accidentally close a dock tabs (by dragging it out of the dock 
+dialog, and closing the new dock dialog that gets created), no worries. Simply 
+goto the toolbox and goto "File->Dialogs", and then click on the name of the 
+dialog you need.</para>
+
+<para>There are a lot of dock tabs. If you have no idea what a dock tab does, 
+simply hold your mouse over its icon and a tooltip will pop up describing the 
+name of the tab.<para>
+
+Here are some of the more important ones:
+<itemizedlist>
+ <listitem>
+  <para>Layers Dialog (<xref linkend="layers"/>) - This tab shows you the layer 
+  hierarchy for the currently selected canvas. It also allows you to manipulate 
+  these layers.</para>
+ </listitem>
+ <listitem>
+  <para>Params Dialog (<xref linkend="params"/>)- This tab will show you the 
+  parameters of the currently selected layer, (OR, if multiple layers are 
+  selected, it shows you only the parameters that the selected layers have 
+  in common)</para>
+ </listitem>
+ <listitem>
+  <para>Tool Options Dialog (<xref linkend="tooloptions"/>) - Shows you any 
+  options specific to the currently selected tool</para>
+ </listitem>
+ <listitem>
+  <para>Navigator (<xref linkend="navigator"/>) - Shows you a thumbnail of what the currently selected Canvas
+  looks like. You can also zoom in and move the focus around with this tab.</para>
+ </listitem>
+ <listitem>
+  <para>History Dialog (<xref linkend="history"/>- Shows you the history stack for the current composition. 
+  You can also edit the actions in history.</para>
+ </listitem>
+</itemizedlist>
+
+<para>If you click the "new composition" button in the toolbox, a new composition 
+will be opened and the canvas properties dialog will appear.</para>
+
+<para>The canvas properties dialog is a mess, I know. I'll have it re-designed into 
+something much more comprehendible in the next few days. For now, ignore the 
+"Image Area" and "Locks and Links" sections.</para>
+
+<para>If you click OK, the canvas properties dialog will disappear and you will see 
+the Canvas window. This window represents the Root Canvas, not that that means much 
+to you at the moment, but that's OK--I'm just trying to show you around.</para>
+
+<para>In the upper left corner of the Canvas Window, you'll see a button with a 
+caret If you click on this button, the canvas window menu will pop up. (As an aside, 
+if you right click in the canvas area and there is not a layer under the mouse 
+position, this menu will also appear) So now you know where the menu is in the Canvas 
+Window. Good. Everything else should be pretty self-explanatory in the Canvas Window. 
+(Explanations on the menu stuff is to come in a sec)</para>
+&toolbox.sgml;
+&layers.sgml;
+&params.sgml;
+&tooloptions.sgml;
+&navigator.sgml;
+&history.sgml;
+</chapter>

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@@ -0,0 +1,48 @@
+
+
+<?xml version="1.0" encoding="utf-8"?>
+<sect1 id="toolbox">
+<title>The toolbox</title>
+<para>
+apsldkfjañsdlfads ñlaskdfjñald skfañdkl fjañsdklfj añdslvf kjadsñfkjadñfjkaflñjak añ kfjañ fñakjd fañ
+a dfñladjf añdlkfj añlkf añldkf adlkf ajdñlf adñflkj dsñalj kfañldkf asjdñfkl asdñf akj
+añ kfd ñaj kasñj kds ñjk sñljks añljskañ kñasjksdañ jk dfñljk
+</para>
+    <figure id="toolboximg">
+   <title>Toolbox</title>
+   <screenshot>
+    <mediaobject>
+     <imageobject>
+      <imagedata fileref="toolbox" format="EPS" scale="50">
+     </imageobject>
+    </mediaobject>
+    </screenshot>
+    </figure>
+<para>
+asdf a dsf dsfa sdf adf adfadf ad f adsfasd fa sdf asd f asdf asdf  asf  adsf asdf asd fa
+ adsf asdf asd f asdf a dfa sdf as fasdf asdf adf ad faf f asdf af asd fa sf asdf adf adf 
+ a dsf a dfa sdf ad fa df asdf asdf asd f af
+</para>
+<para>
+<table>
+<title></title>
+<tgroup cols="4" align="center">
+<tbody>
+<row>
+<entry >New</entry>
+<entry >Open</entry>
+<entry >Save</entry>
+<entry >Save As</entry>
+</row>
+<row>
+<entry >Save All</entry>
+<entry >Undo</entry>
+<entry >Redo</entry>
+<entry >About Synfig Studio</entry>
+</row>
+</tbody>
+</tgroup>
+</table>
+
+</para>
+</sect1>

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/interface/tooloptions.sgml Added

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@@ -0,0 +1,52 @@
+
+
+<chapter id="introduction">
+    
+ <title><acronym>Introduction</acronym></title>
+ <para>Synfig, like most every other competent graphics program, breaks down 
+ individual elements of a Canvas into Layers. However, it differs from other 
+ programs in two major ways:</para>
+ <orderedlist>
+   <listitem>
+    <para>An individual layer in Synfig usually represents a single "Primitive". 
+    ie: A single region, an outline of a region, an imported JPEG, etc... This
+    allows you to have a great deal of flexibility and control. It is not
+    uncommon for a composition to have hundreds of layers(organized into a 
+    hierarchy for artist sanity of course).</para>
+   </listitem>
+   <listitem>
+    <para>A layer can not only composite information on top of the image below it,
+    but also distort and/or modify it in some other way. In this sense, Synfig 
+    Layers act much like filters do in Adobe Photoshop or the GIMP. For example, 
+    we have a Blur Layer, Radial Blur Layer, Spherical Distortion Layer, 
+    color-correct layer, bevel layer, etc... </para>
+   </listitem>
+ </orderedlist>
+
+ <para>Each layer has a set of parameters which determine how it behaves. When 
+ you click on a layer (either in the canvas window, or in the Layer Dialog), 
+ you will see its parameters in the Params Dialog.</para>
+
+ <para>Synfig Studio has an autorecover feature. If it crashes, even if the 
+ current file has not been saved, it will not lose more than 5 minutes of work. 
+ At restart it will automatically prompt the user to recover the unsaved changes. 
+ Unfortunately history isn't recovered yet. That feature comes later.</para>
+
+ <para>One thing you may notice is that Synfig Studio is SLOW, making it
+ practically unusable on hardware that is over 3 years old. The biggest reason
+ for this is that all of the color calculations are done in floating point 
+ because Synfig Studio was built from the ground up with High-Dynamic-Range 
+ Imaging in mind. HOWEVER, this will not be the case forever.</para>
+
+ <para>darco has some fairly major re-implementations and optimizations that 
+ he plans to implement that should quite dramatically improve the performance 
+ of Synfig on all platforms. The goal is not a 200% speed increase, it is at 
+ least a 2000% speed increase. With the optimizations that are planned to be
+ implemented, we will be able to pipeline operations in such a way that this
+ performance improvement can be realized. It should also pave the way to hardware
+ acceleration using today's powerful graphics processors, which should yield 
+ further performance improvements measurable in orders of magnitude.</para>
+</chapter>
+
+
+

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/steps/done Added

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@@ -0,0 +1,69 @@
+ 
+ 
+<chapter id="firststeps"> 
+<title>First Steps</title> 
+<para> Lets create something
+so that we can tweak with it. Now that you have a new composition open
+and the properties dialog is out of the way, go over to the toolbox and
+click on the circle tool(If you don't know which one it is, just mouse
+over them until you find the one with the tooltip that says "circle").</para>
+
+<para>The second you click on the circle tool, you should notice that the tool
+options tab changed. But we'll get to that later.
+
+    <footnote><para>Some laptop users might experience trouble where click-drag on
+    the canvas when using the circle tool doesn't seem to do anything
+    or produce insanely huge circles. The problem is that Synfig has
+    detected the touchpad and enabled that device (incorrectly!) To fix
+    this: click File->Input devices... In the resulting dialog window,
+    select 'Disabled' for your touchpad device. After this change,
+    your external mouse and the touchpad will work as expected.</para></footnote>
+</para>
+    <para>With the circle tool selected, you can now create circles in the
+    canvas window. This pretty much works exactly as you might expect
+    it to. Go ahead and create two (or more, if you fancy) circles. If
+    by accident you just clicked on the canvas instead of clicking and
+    dragging(with mouse button pressed) to draw the circle, you end up
+    creating a circle with 0 radius and it is effectively invisible! No
+    need to worry, you can easily fix this. In the Params dialog, you
+    can change the parameters of the selected object. If you just made
+    a 0 radius circle, it should be the current selected object. you can
+    change its radius to some value other than 0, say 10, and manipulate
+    it to your liking with the canvas ducks later.</para>
+
+    <para>Now go back to the toolbox and click on the normal tool (the blue
+    circle with the arrow on it). After you do this, click on one of your
+    circles. You will then see a bounding box(which is kinda useless
+    at this point in time, but I digress), a green dot at the center,
+    and a cyan dot on the radius. Those dots are called ducks. If you
+    want to modify the circle, grab a duck and drag it around. Easy!</para>
+
+    <para>So you can select a layer by clicking on it. If you want to select
+    more than one layer, hold down CONTROL while you are clicking--this
+    works in both the canvas window and the layer tab. Try it!</para>
+
+    <para>You can also select multiple ducks. You can do this in several
+    ways. First, you can hold down CONTROL and individually click the
+    ducks that you want selected, but this can be tedious. However, there
+    is a much faster method--just create a selection box by clicking the
+    mouse and dragging it over the area of ducks that you want selected.<para>
+
+    <para>Go ahead and select two circles, and select all of their ducks. With
+    several ducks selected, moving one duck will move all of the
+    ducks. This behavior is dependent on the normal tool. Thus, a
+    more descriptive name for this tool might have been the "move" or
+    "translate" tool.</para>
+
+    <para>The Rotate and Scale tools work much like the Normal tool, except in
+    the case where you have multiple ducks selected. It is much easier
+    to just try it than read about it. Select a few circles, select all
+    of their ducks, and try using the rotate and scale tools.</para>
+
+    <para>Note that, unlike the normal tool, the other duck manipulation tools
+    DO have options associated with them. If a particular tool isn't
+    doing what you want, take a look in the tool options tab to see if
+    it is set up like you want it.</para>
+&linking.sgml; 
+&steplayers.sgml; 
+&shapes.sgml; 
+</chapter>

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@@ -0,0 +1,32 @@
+
+
+<sect2 id="combining">
+<title>Combining</title>
+<para>Now there are two ways to proceed. In the first way, pick the gradient 
+tool from the Synfig Toolbox, and click into the canvas once. You should note
+that another layer was added in the Layers Dialog called 'Gradient'. This is 
+nothing special. If you see no gradient but just a plain color, pick the normal
+tool, click into the canvas to activate the gradient's ducks. You need to grab 
+the one you see and move it a bit until a gradient appears.</para>
+
+<para>You now have a gradient but it is not what you wanted: It spreads the 
+whole canvas and the goal was to have a gradient on the rectangle. Let's fix 
+this now.</para>
+
+<para>Select the gradient and the rectangle layer in the Layers Dialog. They 
+should appear with a blue background now. Then, context-click (ie. right-click 
+on Windows and Linux) and select 'Encapsulate' from the menu. The view of your 
+layer tab should change now, showing a small box called 'Inline Canvas' with an
+arrow in front. If you click the arrow, it will unfold and show your previous 
+two layers; the gradient and the rectangle.</para>
+
+<para>You can treat this layer like any other layer -- move it around, 
+duplicate it, copy and paste it. You'll notice an arrow next to the icon of the
+box. By clicking on this arrow, you can expand the inline canvas to see its 
+contents.</para>
+
+<para>If you want to change the name of it to something more descriptive, just 
+select the layer in the layer tab and click on its label. Then you just edit it
+in place. You can do this for ANY layer, and are strongly encouraged to do so. 
+</para>
+</sect2>

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/steps/layers/done Added

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@@ -0,0 +1,37 @@
+ 
+ 
+<sect1 id="steplayers">
+<title>Layers</title> 
+<para> In the previous tutorial, you made a
+first simple animation by changing the attributes of primitive objects
+such as its position, color, and size. These simple types, however, are
+seldomly sufficient to create advanced characters and objects. To do so,
+Synfig uses Layers. They are similar to layers known from other drawing
+application such as the GIMP, for instance.</para>
+
+<para>However, Synfig is different to simple layers in at least two 
+respects:</para>
+<orderedlist>
+  <listitem>
+   <para>You can organize layers into hierarchical groups.</para>
+  </listitem>
+  <listitem>
+   <para>You can use upper layers to change the behaviour (or look)
+      or underlying layers.</para>
+  </listitem>
+</orderedlist>
+
+<para>Doing so is quite easy. Let's look at a simple example.</para>
+
+<orderedlist>
+  <listitem>
+   <para>Create a new file with 0 duration. There's no need to bother
+	 with a timeline at this point.</para>   
+  </listitem>
+  <listitem>
+   <para>Create a simple rectangle.</para>
+  </listitem>
+</orderedlist>
+&using.sgml; 
+&combining.sgml; 
+</sect1>

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@@ -0,0 +1,57 @@
+ 
+ 
+<sect2 id="using">
+<title>Using</title> 
+<para> However, there is still a problem: The gradient still covers the whole 
+canvas although we wanted it to be restricted on the rectangle. To do so, 
+activate the gradient layer in the Layer tab. Now go to the Params Dialog (by 
+default a tab in the Params-Children-Keyframes window), and search the attribute
+called 'Blend Method'. Double-click the entry and select 'Onto' from the
+appearing drop-down menu.</para>
+
+<para>The gradient should now be restricted to the rectangle. Congratulations!
+You just made your first interacting layers with Synfig.</para>
+
+<para>If only for the additional organization, encapsulating layers into inline
+canvases dramatically improves the ease of use of Synfig Studio. But
+lots of programs can do this. The concept of scope as just demonstrated
+sets Synfig apart from other programs with layer hierarchies.</para>
+<para>
+<footnote><para>The following remarks seem to be outdated already! A blur 
+defaults to 'Straight' here (using SVN 110). --Claus 06:45, 11 Jan 2006 (PST)
+</para></footnote>
+
+    <footnote><para>It defaulted to composite for me, as described (using 
+    SVN 147) Matumio 07:56, 12 Mar 2006 (PST)</para></footnote>
+
+    However, a layer can only modify the data that it gets from directly
+    below it. In other words, if you were to throw a Blur Layer at
+    the top of the objects inside the inline canvas we just created,
+    it would just blur them -- anything under it would not be blurred!</para>
+
+    <para>Lets try it. Add a few circles under the inline canvas we just
+    created. Expand the inline canvas to show its contents, and select
+    the top layer inside of it (should be the "Outline" layer). This
+    is where we want to insert the blur. Right click on the selected
+    layer and a popup menu will appear. The first item in that popup
+    is "New Layer". Inside of the "New Layer" menu, you'll see several
+    categories of layers you could create, but what we want is a blur,
+    so goto the Blur category and select the "Blur" layer. (so that
+    would be "New Layer->Blurs->Blur")</para>
+
+    <para> Well, it blurred... but something is not quite right--the inside edge
+    of the outline is now all soft, but it still kinda looks like there is
+    a hard edge on the outside. It is doing this because the blend method
+    of the blur defaulted to "Composite" (you can change the default
+    blend method for new layers from the New Layer Defaults section of
+    the Toolbox). What we want is a blend method of "Straight". Just
+    select the blur layer, and change the Blend Method to "Straight"
+    in the Params Dialog.</para>
+
+    <para>(NOTE: I will probably change the way that default blend methods are
+    handled in the future--as the way it is currently handled seems to
+    only create hassles like this)</para>
+
+    <para>Ok, now we have all of the contents of the inline canvas blurred,
+    but everything under it is sharp!</para> 
+</sect2>

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+ 
+ 
+<sect1 id="linking">
+<title>Linking</title> 
+<para>Now lets try linking. Lets say we always
+want these two circles to be the same size. Select two circles, and then
+select both of their Radius ducks(the cyan dot). Then right click on
+either duck and a menu will pop up. Click on "Link". Boom. The parameters
+are linked together. You can prove it to yourself by selecting just one
+of the circles and changing its radius--the other one will change as
+well. Neat stuff, eh?</para>
+
+<para>Linking is a fundamental concept in Synfig. You can create links not only
+between ducks, but also between parameters as well by selecting multiple
+layers, right clicking on the parameter in the param tab, and selecting
+"Link".</para>
+
+<para>DIGRESSION: This is how outlines are attached to their regions-but
+I'm getting ahead of myself. At the moment, the fundamental power and
+flexibility of linking in Synfig Core is beyond what Synfig Studio
+currently allows for. This will change in the future. Anyway, back
+on track...</para>
+
+<para>Lets say you want one of the circles to be a different color. If you look
+in the toolbox below the tools, you'll see the foreground/background
+color selector, the outline width selector, and some other stuff like
+the default blend method and gradient. The foreground/background color
+widget works exactly as you might expect--you can click on the foreground
+color, and a modest color chooser will appear. Now to can change the
+color pretty easily.</para>
+
+<para>But sometimes you just want to click on a color and go. This is where
+the palette editor tab comes in. It's functionality isn't quite 100% yet
+(ie: saving and loading custom palettes hasn't been implemented yet),
+but the default palette is pretty decent. Click on the Palette editor tab
+and have a look--it's the one with the palette-ish looking icon. Clicking
+on colors in here will immediately change the default foreground color.</para>
+
+<para>That's all great, but we still haven't changed the color of the
+circle. There are two ways to do this. The first way is that you select
+the circle layer you want to modify, goto the params tab and double click
+on the color parameter--a color selector dialog shows up and you just
+tweak away. But lets say you already got the color you wanted selected as
+the default foreground color. Easy. Just click on the "Fill tool" from the
+toolbox, and then click on the circle in the canvas window. Boom. Circle
+changes color. This works with more than just circles, but we'll get to
+that in a sec.</para>
+
+<para>Try playing around with the circles for a bit. Muck around with the
+parameters, and see what happens. To get you started, play around with
+feather a bit.  
+</para> 
+</sect1>

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+
+
+<sect1 id="shapes">
+  <title>Shapes</title>
+  <para> Basic primitives such as circles or
+rectangles are all great, but they are pretty much geometrically
+inflexible. What about shapes? To do this, we use the bline tool.</para>
+  <para>In Synfig, the construct for describing shapes is called a Bline. This
+is roughly analogous to a "path" in other programs, except that it is
+strictly a hermite spline.</para>
+  <para>When you click on the bline tool, you will see that the ducks from
+your currently selected layer (if there was one) will disappear, but
+the layer(s) will still remain selected in the Layers Dialog. This is
+normal. Anything you create in the bline tool will be inserted above the
+currently selected layer. Keep in mind that if you want to insert a shape
+somewhere, you should select where you want to insert it before you go
+into the Bline tool-changing the selection afterward will automatically
+swap you back to the normal tool.</para>
+  <para>If you take a look at the tool options dialog, you'll notice that the
+first things you see are three checkboxes. Make sure that only "Fill"
+AND "Outline" are checked.</para>
+  <para>First, go ahead and click on the "R" button in the lower left corner of
+the FG/BG color widget in the toolbox. This will reset us back to black
+and white. Also, go ahead and set the default line width (right next to
+the FG/BG widget) to something nice and thick -- 10pt should do the 
+trick.</para>
+  <para>Clicking with your mouse in the canvas will place vertices. While you are
+placing a vertex, you can drag out its tangent by dragging the mouse. Do
+this over and over, and you construct a Bline.</para>
+  <para>Keep in mind, however, that during this construction, there is nothing
+stopping you from just moving it if you don't like where you placed
+a vertex or a tangent. Honest! If you want to remove a vertex, right
+click on it and delete it. Want to split the tangents? Right click on
+the tangent and hit "split tangents". Want to loop the bline? right
+click on the first vertex and select "loop".</para>
+  <para>So I assume you got your first Bline laid out like you want it. That's
+great. But we are still in construction mode -- the layers haven't been
+created yet. There are two ways to create the layers:</para>
+  <orderedlist>
+    <listitem>
+      <para>just switch to another tool, or</para>
+    </listitem>
+    <listitem>
+      <para>press the "create" button at the bottom of the tool options tab
+      (it's the icon that looks like a gear).</para>
+    </listitem>
+  </orderedlist>
+  <para>     For now, just go ahead and click on the normal tool because we
+      are done with the bline tool.</para>
+  <para>// Insert Figure about here</para>
+  <para>Ok, we now have a nice pretty white region with a thick black
+      outline. Notice that there are two layers that we have created--the
+      Outline and the Region. Despite the fact that they are two separate
+      layers, their vertices parameter has already been linked--so you
+      can select either one and move its ducks around and the other one
+      will also change.</para>
+  <para>If you want to manipulate the vertices after you have created
+      the layers, it is very easy to do so. Just click on one of the
+      layers and have at it. If you want to remove a vertex, right
+      click on it and hit "Remove Item (smart)". Want to insert a point
+      somewhere? Right click on the segment where you want to insert
+      something and his "Insert item (smart)".</para>
+  <para>NOTE: The only major difference between this normal editing mode
+      and the construction mode is in how you split the tangents--in
+      construction mode you right click on the tangent itself. In normal
+      duck editing mode, you must right click on the vertex that the
+      tangents are attached to. This could be considered a usability bug,
+      and it will be resolved at some point.</para>
+  <para>This may appear to be leading to a mess of layers. And yes, if
+      you aren't using the software properly, that is exactly what you
+      will get. But there is a way to make this more sane: Just study
+      the previous tutorial</para>
+  <para>One quick thing to mention before I finish up. You can change the
+      width of an outline at each vertex. You do this by selecting the
+      outline layer (NOTE: you must select the Outline Layer, the Region
+      Layer has no width data) and tweaking with the width ducks. By
+      default, these are masked. To show them, press Alt-5. Repeat to
+      hide them again. You can also see other things to mask via the
+      Canvas Menu Caret &gt; View Menu &gt; Mask Ducks Menu.</para>
+  <para>That should give you enough of a grasp of the software to be able
+      to figure out more stuff on your own.</para>
+</sect1>

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@@ -0,0 +1,64 @@
+
+
+
+<!DOCTYPE book PUBLIC "-//OASIS//DTD DocBook V4.2//EN" 
+ 
+
+<!ENTITY index.sgml SYSTEM "index.sgml">
+<!ENTITY introduction.sgml SYSTEM "##PATHLANG##/introduction/introduction.sgml">
+
+<!ENTITY interface.sgml SYSTEM "##PATHLANG##/interface/interface.sgml">
+<!ENTITY toolbox.sgml SYSTEM "##PATHLANG##/interface/toolbox.sgml">
+<!ENTITY layers.sgml SYSTEM "##PATHLANG##/interface/layers.sgml">
+<!ENTITY params.sgml SYSTEM "##PATHLANG##/interface/params.sgml">
+<!ENTITY tooloptions.sgml SYSTEM "##PATHLANG##/interface/tooloptions.sgml">
+<!ENTITY navigator.sgml SYSTEM "##PATHLANG##/interface/navigator.sgml">
+<!ENTITY history.sgml SYSTEM "##PATHLANG##/interface/history.sgml">
+
+<!ENTITY firststeps.sgml SYSTEM "##PATHLANG##/steps/firststeps.sgml">
+<!ENTITY linking.sgml SYSTEM "##PATHLANG##/steps/linking.sgml">
+<!ENTITY shapes.sgml SYSTEM "##PATHLANG##/steps/shapes.sgml">
+
+
+<!ENTITY steplayers.sgml SYSTEM "##PATHLANG##/steps/layers/layers.sgml">
+<!ENTITY combining.sgml SYSTEM "##PATHLANG##/steps/layers/combining.sgml">
+<!ENTITY using.sgml SYSTEM "##PATHLANG##/steps/layers/using.sgml">
+
+<!ENTITY apendices.sgml SYSTEM "##PATHLANG##/appendix/apendices.sgml">
+>
+<book lang="en" id="gettingstarted">
+  <bookinfo>
+    <date>28 Aug 2006</date>
+    <title><acronym>Synfig Studio</acronym>
+    </title>
+    <subtitle>Getting Started</subtitle>
+    <releaseinfo>Initial Release</releaseinfo>
+    <authorgroup>
+      <author>
+	<firstname>xxxx</firstname>
+	<surname>xxx xxxxxx</surname>
+      </author>
+      <author>
+      	<firstname>et Alt.</firstname>
+      </author>
+    </authorgroup>
+    <address>synfig@miguelgea.com</address>
+    <legalnotice>
+      <para>Released with GFDL license</para>
+    </legalnotice>
+    <revhistory>
+      <revision>
+	<revnumber>0.1</revnumber>
+	<date>2006-8-28</date>
+	<authorinitials>mgm</authorinitials>
+	<revremark>Document start</revremark>
+      </revision>
+    </revhistory>
+  </bookinfo>
+&introduction.sgml;
+&interface.sgml;
+&firststeps.sgml;
+&apendices.sgml;
+&index.sgml;
+</book>
+

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/tips/bitmap.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/tips/closebline.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/tips/dock.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/tips/filloutline.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/tips/gradient_object.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/en/tips/layer.sgml Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/others/Authors Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/others/hola.txt Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/png/toolbox.png Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/scripts/build.sh Added

_service:obs_scm:synfig-1.5.3.obscpio/synfig-docs/scripts/clean.sh Added

Changes of Revision 50